FOR IMMEDIATE RELEASE

PAIRED: Imogen Cunningham + Rondal Partridge, featuring the work of Horace Bristol
A rare look at three 20th century California photographers pared down to their most fundamental and personal images, including still lives, nudes and family portraits.

Through January 5, 2007

As part of the  “Art for Activism” series, 10% of all profits from the exhibition and all proceeds from the screenings will be donated to Focus on the Masters (FOTM) a non-profit art appreciation program that documents, preserves and presents the works and lives of accomplished contemporary artists.   
http://www.focusonthemasters.com <http://www.focusonthemasters.com




East West Gallery
714 Bond Avenue, Santa Barbara, CA 93103
Contact: Henri Bristol
(805) 963-4041 phone
(805) 963-4131 fax
Gallery hours, by appointment

E-mail, info@eastwest-gallery.com
Web stie, http://www.eastwestgallery.com



East/West Gallery is pleased to announce PAIRED , featuring the work of Imogen Cunningham, Rondal Partridge, and Horace Bristol.

Santa Barbara's East/West gallery will feature the work of three of California's renowned photographers who worked for a brief time together in the 1930's as colleagues, friends and family.

Imogen Cunningham, a member of group f64 and a pioneer photographer,  took the medium from its pictorialist beginnings into its own art form, and worked tirelessly for over 50 years,  from the 1920's through the mid 70's to bring photography recognition as a legitimate art form. As a working mother of three including two twin boys, she had "one hand in the dishpan, the other in the darkroom," she was quoted as saying about her career as photographer and her life as a household matriarch.

Rondal, one of the twin boys, began helping his mother in the lab from the age of five.  As a teenager, he worked as Dorothea Lange's apprentice driving her up and down the back-roads of California as she photographed the now iconic images of migrant laborers.

Intimately associated with some of the great photographers of the 20th century, among them Lange, Edward Weston, Ansel Adams, and Horace Bristol, Partridge who turns 90 this September continues to display his own take on the world around him, focusing his "Quizzical Eye," the title of his most recent monograph, on his intimate surroundings.

Horace Bristol, described Cunningham as a mentor and a friend and Partridge as a confidant and colleague.  He spent his early years as a photographer influenced by the likes of Cunningham, Adams, Weston, and Lange. 

Lange in particular played an important role in his development as a journalist and in capturing intimate moments in the grand sweep of history.  

As one of LIFE's original staff photographers, Bristol's images of migrant laborers, inspired by Lange's visits to similar camps, were taken with the accompaniment of a young writer by the name of John Steinbeck, who would later base his seminal novel The Grapes of Wrath on the characters he met on their journeys together to California's Central Valley.  His photos would later be used to cast the now classic film.  

He later went on to work with Edward Steichen in the US Navy during WWII, and then settled in Japan to form East-West a photographic agency aimed at documenting  the post-war reconstruction of South-East Asia.  

His career would take an abrupt and painful halt with the death of his wife.  Distraught, he destroyed many of his negatives and prints, effectively ending his photographic career. It was not until nearly 30 years later that his work would again be uncovered and shown in public.                    
 
This exhibition focuses on these three artists and their shared appreciation for the simplicity of form and composition as expression in art, and on the beauty captured by these very different photographers who shared one thing, the skill and desire to capture moments we most often relegate to memory.

As part of the  “Art for Activism” series,  10% of all profits from the exhibition will be donated to the Focus on the Masters. 



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